Oh, THAT’S why clowns are sad. Score Cleaning Up by Alex Solis!
my friend from elementary-high school Heather B is up to some crazy shit. we were in a band. lmao.
these are her illustrations for the jewelry designer Bliss Lau.
(via unrequitedgirl)
THat’s Elle Varner, Steph
dayummm..
Those shoes are giving me life.
(Source: jujutrubeauty)
Jamie Beck’s cinemagraphs are perfect.
BUT HOW???
Kobi Levi Designs [more]
(Source: kobilevidesign.blogspot.com)
Leanne Marshall Fall 2012 show.
kimi selfridge is an nyc-based film photographer & stylist. this photograph was taken with fuji instax wide film.
tancamera.com | twitter.com/tancamera | flickr.com/kimes | tancamera.tumblr.com
“The decisive moment,” what Henri Cartier-Bresson called that nano second when the event captured on film expresses the perfect alignment of form, image and significance—that’s what Jesse Untracht-Oakner strives for with his photographs. “I wait for the picture to appear, rather than force it to happen.”
Jesse pays close attention to light—both natural and augmented—in his photos. It is the interaction between light and color that creates the decisive moments.
Shooting editorial, portraits and fashion, his images are multi-layered snapshots for the visually intelligent. Jesse’s photographs demand the observers to bring something of themselves to the voyeurism of their viewing.
Jesse begs the question to be asked, “What’s that?” His images recontextualize the familiar so that they may be seen again for the first time. The familiar becomes strange, accessible but changed through the absorption of what’s happening in the frame.
Untracht-Oakner’s portraits of people both ordinary and extraordinary look back at the viewer. Who’s looking at whom? An observer of humanity—he is both a participant and a spectator waiting for an accident to happen. He is the Heisenberg of photography. Something happened before and will happen after the shutter is snapped. The narrative continues.