the quiet things.
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Posts tagged fashion

threadless:

Oh, THAT’S why clowns are sad. Score Cleaning Up by Alex Solis!

threadless:

Oh, THAT’S why clowns are sad. Score Cleaning Up by Alex Solis!

my friend from elementary-high school Heather B is up to some crazy shit. we were in a band. lmao.

these are her illustrations for the jewelry designer Bliss Lau.

(via unrequitedgirl)

thelittlekneesofbees:

testtheunknown:

i-live-on-rileystreet:

THat’s Elle Varner, Steph

dayummm..

Those shoes are giving me life.

thelittlekneesofbees:

testtheunknown:

i-live-on-rileystreet:

THat’s Elle Varner, Steph

dayummm..

Those shoes are giving me life.

(Source: jujutrubeauty)

brooklyntree:

Jamie Beck’s cinemagraphs are perfect.
BUT HOW???

brooklyntree:

Jamie Beck’s cinemagraphs are perfect.

BUT HOW???

Well I already knew 2010-2020 would be about going back to grunge and the 90s/70s since we did 80s last decade but geez.

Well I already knew 2010-2020 would be about going back to grunge and the 90s/70s since we did 80s last decade but geez.

Kobi Levi Designs [more]

(Source: kobilevidesign.blogspot.com)

photographersdirectory:

kimi selfridge is an nyc-based film photographer & stylist. this photograph was taken with fuji instax wide film.

tancamera.com | twitter.com/tancamera | flickr.com/kimes | tancamera.tumblr.com

photographersdirectory:

kimi selfridge is an nyc-based film photographer & stylist. this photograph was taken with fuji instax wide film.

tancamera.com | twitter.com/tancamera | flickr.com/kimes | tancamera.tumblr.com

photographersdirectory:

“The decisive moment,” what Henri Cartier-Bresson called that nano second when the event captured on film expresses the perfect alignment of form, image and significance—that’s what Jesse Untracht-Oakner strives for with his photographs. “I wait for the picture to appear, rather than force it to happen.”
Jesse pays close attention to light—both natural and augmented—in his photos. It is the interaction between light and color that creates the decisive moments.
Shooting editorial, portraits and fashion, his images are multi-layered snapshots for the visually intelligent. Jesse’s photographs demand the observers to bring something of themselves to the voyeurism of their viewing.
Jesse begs the question to be asked, “What’s that?”  His images recontextualize the familiar so that they may be seen again for the first time. The familiar becomes strange, accessible but changed through the absorption of what’s happening in the frame.
Untracht-Oakner’s portraits of people both ordinary and extraordinary look back at the viewer. Who’s looking at whom?  An observer of humanity—he is both a participant and a spectator waiting for an accident to happen. He is the Heisenberg of photography. Something happened before and will happen after the shutter is snapped. The narrative continues.

photographersdirectory:

“The decisive moment,” what Henri Cartier-Bresson called that nano second when the event captured on film expresses the perfect alignment of form, image and significance—that’s what Jesse Untracht-Oakner strives for with his photographs. “I wait for the picture to appear, rather than force it to happen.”

Jesse pays close attention to light—both natural and augmented—in his photos. It is the interaction between light and color that creates the decisive moments.

Shooting editorial, portraits and fashion, his images are multi-layered snapshots for the visually intelligent. Jesse’s photographs demand the observers to bring something of themselves to the voyeurism of their viewing.

Jesse begs the question to be asked, “What’s that?”  His images recontextualize the familiar so that they may be seen again for the first time. The familiar becomes strange, accessible but changed through the absorption of what’s happening in the frame.

Untracht-Oakner’s portraits of people both ordinary and extraordinary look back at the viewer. Who’s looking at whom?  An observer of humanity—he is both a participant and a spectator waiting for an accident to happen. He is the Heisenberg of photography. Something happened before and will happen after the shutter is snapped. The narrative continues.